Archive for October, 2010

Interview: David O’Connor (October 2010)

Posted on: October 27th, 2010 by Simon Carter & Daniel Darwood

David O’Connor has managed the front-of-house in three of the Nigel Platts-Martin group of restaurants – Chez Bruce, The Square and most recently The Ledbury. The journey within the group has spanned a dozen years.

David found time to speak to Simon Carter of fine-dining-guide, interview took place outside The Ledbury in late October 2010.

Tell us some background about yourself?

My parents had a restaurant called The Coach House in the Wirral near Cheshire. It was a small restaurant, about thirty covers and I worked there as a young boy.

After leaving home at the age of seventeen, I took a summer job as a commis at a place called Alexander House in West Sussex, near Gatwick, and ended up staying there for three and a half years. In that time I gained a lot of experience across the board: commis waiter, chef de rang, head waiter, lounge supervisor, barman and so on. I also met my wife while working at Alexander House.

I moved to London at the turn of my twenties and got a role as chef de rang at a new opening – The Orrery – it was a pleasant kind of culture shock from the countryside to move to a high powered London restaurant. Chris Galvin was the head chef and they had strong ambitions of achieving a Michelin star. I still remember the experience gained during that year to this day and many of the values I learned have been engrained.

Then I moved to The Square, where I stayed for three and a half years, starting as a chef de rang and being promoted to head waiter. Then an opportunity came up in early 2002 to apply for the position of assistant manager at Chez Bruce. A relatively short time into the job I was promoted to Restaurant Manager and spent a very happy six years working with Bruce Poole and all the team.

The restaurant won a number of awards; London’s favourite restaurant in Harden’s; Observer Food Monthly restaurant of the year; Decanter Magazine restaurant of the year. A relatively small, compact but very busy restaurant – about 120 covers through the door each service.

At Chez Bruce, I started to take on board the different skill sets required to be a good manager as opposed to a good head waiter: There are the people skills – so many more people to interact with and ensure that you are communicating the right messages in an appropriate way – to motivate, develop, nurture and discipline.

There was also all the aspects of the restaurant – reception, the bar, the stations, the kitchen interaction as well as ensuring the right front-of-house strategy was in place to give the customer the best possible experience.

I applied for the job as general manager at The Square, which was a dream role come true. When I first arrived the previous  restaurant Manager had been there twelve years, so there was an opportunity to take a fresh look at service – including thinking about the kind of tailored or bespoke service that the modern customer appreciates.

Adaptability and flexibility were therefore important, for example having order of service drilled down and written in stone was no longer enough. The knowledge, skill and experience to judge the customer and interact appropriately was required – delivering the right balance of service and hospitality to the customer.

I had the opportunity to set up my own business in June (2010) which fell through and came to The Ledbury as General Manager last month (September 2010)

So you’ve worked in the Nigel Platts-Martin group for a number of years!

Yes! I’ve now had the privilege of running front-of-house in three of the group’s restaurants. Nigel (Platts-Martin) doesn’t get too heavily involved in the front-of-house day to day but is very straightforward and if something isn’t right he tells you. After twelve years of service, you’d have to ask Nigel, but I hope I’ve earned his trust and respect.

What is the structure of the brigade at The Ledbury?

The Ledbury is a 60 cover restaurant. We split the restaurant in the half so there are two stations. Each station has a head waiter, a chef de rang (who is basically a junior waiter who does most of the running for the head waiter) and a Sommelier.

The head waiter will be in charge of the timing of the tables, the taking of the orders, organising menus and describing the food and so on.

The chef de rang will be backing up the head waiter – clearing the tables, offering bread, water, preparing tables between courses and so on.

There are two restaurant managers who are covering the whole restaurant, including reception, and providing additional assistance to the team where needed.

The hierarchical brigade system brings order and structure to service. To attract and keep staff, it is important to have clearly defined roles with specific job descriptions.

Having said that, in an ideal world it would be great to have all waiters at head waiter standard, with tasks rotated among the team. To an extent, at Chez Bruce, every waiter was required to be able to perform all tasks from A to Z. The brigade hierarchical structure worked better at The Square and likewise at The Ledbury.

What is your Front-of-House Philosophy?

Well I’ve invested time in reading around how businesses work and how that can be applied to front-of-house. Naturally, your first hand experience is the strongest influence but I’m a firm believer in study and hard work to self improve and have those around you do the same.

My understanding is that businesses operate around process, workflow, rigour and detail. For example, MacDonalds or Pret a Manager have the product created by teenagers, this is true in restaurants of this type all around the world. Yet wherever you go the end product is the same and immaculately produced. This is because they have clearly defined processes, order of work, detail, rigour, and a reward structure. This is not to compare these kind of establishments to a top end restaurant but more to explain that structure, order and process are key to delivering the best end product to the customer in any business.

To that end I have started documenting a service manual for all front-of-house staff – a kind of code of business conduct – that starts from the top – a summary, the mission statement, the ten guiding principles of the service and so on. In this way people know where they stand, they have their position in the overall structure understood and what is expected of them to deliver and improve.

From a general manager’s perspective new skill sets are important and grasping an understanding of psychology as well as non-verbal communication can only help in communicating effectively with staff and customers alike.

In terms of ‘style’ of service, there remains a place for formality in restaurants – albeit a more relaxed formality than perhaps in the past but one that is a conscious style or conscious approach as opposed to simply being more “relaxed” – the word could imply ‘casual’ and service is far from casual.

What are your views on front-of-house and kitchen teamwork?

As I mentioned before, in this day and age of bespoke service and where timing is critical, it is more important than ever that front-of-house and kitchen work together.

At Chez Bruce we always worked together with the objective of adapting to please the customer and I genuinely believe that was a big part of it’s (Chez Bruce) success. The Square was more kitchen driven and a different type of restaurant but the focus changed with the change in the market toward bespoke service. Brett (Graham) at The Ledbury is the most passionate and enthusiastic chef – he’s always willing to adapt for the customers.

For example, a customer orders a fantastic bottle of wine, he’ll think about a menu for that table to work around the bottle of wine. Equally, there may be dishes that a table haven’t tried before and he’ll think about things they might like to try. This is fantastic for customer satisfaction.

What changes have you seen in front of house style/approach to customers?

There’s probably never been more restaurants in London and at the same time people are eating out more and more. So there are potential customers but there’s a lot of choice.

Following on from the discussion about teamwork with the kitchen; chefs are getting more and more involved in the interaction with the customer. This can only be a good thing – for the customer and the restaurant. As a team we have to do enough to make them come back rather than just try the restaurant once. I guess it’s a ‘whole restaurant philosophy’ as opposed to a ‘kitchen philosophy’ or ‘front-of-house philosophy.’ A subsidiary challenge is that what is exceptional today is expected tomorrow and managing expectations accordingly.

I suppose an important aspect is to always be improving and evolving. This includes having the all round flexibility to adapt to the changing times.

Has the profile of customer changed over the years?

People are a lot more knowledgeable, more people are eating out and the demographic has perhaps got slightly younger. I guess there’s been a lot of media coverage of restaurants on TV and that has certainly helped.

People also have a greater voice and more access to information than ever before. It doesn’t take an hour before you might get an email from a customer or see a review on an internet forum. Naturally this can be a double edged sword, but in general, the more awareness of the restaurant scene the better.

Describe a day in the life…

I get in about 9am. There’s usually some correspondence to deal with followed by checking who’s coming in during the day. We’ll set about the mise en place for the day, to make sure everything is cleaned and properly in place for service.

Then we’ll liaise with the chef on the day’s menu and get that typed up in-house. We have something to eat at about eleven followed by a staff briefing at 11.30am for the service. Then we open for lunch at 12pm and so it goes until about 2am (laughing).

Really, it’s hard to describe a day in the life at the moment…every day is different, when things settle down you can ask me that question again!

One thing we have introduced is a professional cleaning company to help prepare the restaurant. This has freed up time for staff training in the mornings. I think it is time better spent for a waiter to be taking on knowledge of how to be a better waiter than it is to spend time cleaning the restaurant.

What are your plans for the future?

I’ve witnessed what’s happening here at The Ledbury and seen a chef at the top of his game and am totally committed to helping, along with everyone else, in getting this restaurant to the very top.

 

And so it was time to leave, you couldn’t help but detect a quiet determination within David – a strength of purpose and a vision; a desire to self-improve and have those around him do the same; clearly, the characteristics that would lead to success in any business!

Champagne, Bordeaux and Burgundy Wine Vintage Charts

Posted on: October 11th, 2010 by Simon Carter & Daniel Darwood

Vintage charts for wine can be an emotive subject. They are intended to provide guidance to the consumer on the general quality level of wines for a given year and also advise on whether a wine is ready to drink or best kept.

There are many organisations producing vintage charts. The one below is by Berry Bros & Rudd (See link for more detailed outline). This is marked simply out of 10, where 10 is outstanding and 1 is poor, and provides generic guidance for a region. A more comprehensive system – and probably most world-famous – is that produced by Robert Parker. This has marks from 50 to 100 and explores regions to an extra level of detail. A link to this chart is also provided below.

http://www.bbr.com/vintage-chart

http://www.erobertparker.com/info/vintagechart.pdf

 

 

2009

 

2008

 

2007

 

2006

 

2005

 

2004

 

2003

 

2002

 

2001

 

2000

 

1999

 

1998

 

1997

 

1996

Red Bordeaux

 

10

 

8

 

7

 

8

10

 

8

 

9

 

8

 

7

 

10

 

7

 

8

 

6

 

9

 

White Bordeaux

 

7

 

8

 

7

 

8

 

9

 

7

 

9

 

5

 

10

 

7

 

8

 

8

 

9

 

10

 

Red Burgundy

 

9

 

7

 

6

 

7

 

10

 

6

 

8

 

9

 

7

 

7

 

9

 

8

 

7

 

9

 

White Burgundy

 

9

 

7

 

7

 

8

 

9

 

8

 

6

 

9

 

7

 

9

 

8

 

7

 

8

 

8

 

Champagne

 

 

 

 

 

 

 

 

 

7

 

8

 

6

 

10

 

4

 

6

 

6

 

8

 

7

 

8

 

 

 

2009

 

2008

 

2007

 

2006

 

2005

 

2004

 

2003

 

2002

 

2001

 

2000

 

1999

 

1998

 

1997

 

1996

 

Red Bordeaux

 

10

 

8

 

7

 

8

 

10

 

8

 

9

 

8

 

7

 

10

 

7

 

8

 

6

 

9

 

White Bordeaux

 

7

 

8

 

7

 

8

 

9

 

7

 

9

 

5

 

10

 

7

 

8

 

8

 

9

 

10

 

Red Burgundy

 

9

 

7

 

6

 

7

 

10

 

6

 

8

 

9

 

7

 

7

 

9

 

8

 

7

 

9

 

White Burgundy

 

9

 

7

 

7

 

8

 

9

 

8

 

6

 

9

 

7

 

9

 

8

 

7

 

8

 

8

 

Champagne

 

 

 

 

 

 

 

 

 

7

 

8

 

6

 

10

 

4

 

6

 

6

 

8

 

7

 

8

 

Chef Interview: Pierre Koffmann (October 2010)

Posted on: October 10th, 2010 by Simon Carter & Daniel Darwood

The legendary Pierre Koffmann has returned to the stove once more, this time at the eponymous Koffmann’s, housed in The Berkeley Hotel, Knightsbridge, London. In a glittering career that has spanned six decades, Pierre has thrilled and delighted an army of fine-dining followers. Add to this, a new band of younger admirers who are venturing into his latest eaterie.

Pierre Koffmann found time to speak to Simon Carter of fine-dining-guide about his past, present and future, interview took place in the bar of Koffmann’s during October.

Tell us some background about yourself?

I was born in Tarbes in South West France but it was in the summer holidays, as a boy, that I spent time with my maternal grandparents in a Farmhouse called the Oratoire in Saint Puy. It was there that I had my introduction to- and early experiences of- cooking.

As far back as 1963 (smiling) I went to cooking school in Tarbes and studied there for three years. It was quite a good school, you got to look at everything from front-of-house through to the kitchen. At the start of the second year you had to choose your specialism so I decided to be a chef.

After leaving in 1966 I moved around the country (France) as in the 1960s it was important to appreciate all the different regions of cooking. While this still exists today, to a certain extent much of the regional differences in cooking in France have disappeared. Paris never appealed to me but many of the other regions – Pyrenees, Alsace, Provence and so on. Then I went to Switzerland, to Lausanne and while I was there one of my main hobbies was playing rugby.

At that time, the old Twickenham was considered the temple of rugby and I had an ambition to see England play France at the old ground. My idea was to spend six months working in a kitchen in London, see the rugby and then move on to America or Australia. Forty years on and I’m still here! (Laughing). You could do this as a chef – work anywhere – so I thought, why not?

In 1970 I arrived at Le Gavroche. There was a magazine in France called L’Hotellerie where you could find hundreds of jobs listed. I really enjoyed my time at Gavroche and especially liked the philosophy that the customer was king and everything was done to please the customer! The food was quite rich, it used a lot of cream.

After a few months I was sous chef and soon after they gave me the head chef position at a new restaurant they had opened called Brasserie Benoit (which was near Oldbury).

In 1972 they opened the Waterside Inn and invited me to be head chef at the restaurant. It was a great honour. There were four or five chefs in the kitchen at the time, now there are twenty-four. I was 24 years old and head chef at what was to become an iconic British/French restaurant. We achieved two Michelin Stars while I was Head Chef.

In 1977 I bought La Tante Claire and we went from one to three stars.

Gordon Ramsay approached me in 1998 and offered to buy the restaurant. At the time my wife had just passed away and I jokingly said to Gordon that should he meet the price I wanted then he could have the site. A week went by and he came back and said OK. So I moved to The Berkeley Hotel and kept the same name of the restaurant until 2003.

So at the age of 55 I retired! I had had a dream when I was young to retire at 45 so I invested for many years in a policy that would allow me to achieve that goal. When the time came, I thought 45 is too young, let’s go on to 50, then at 50 to 55.

At 55, I decided it was time to take advantage of the policy and retire. I travelled the world for a year. I found that while I had some hobbies – the odd game of golf or fishing – that in general I had a routine of waking after 9am, having a cappuccino, eating lunch, having an afternoon siesta then going out for dinner. This was OK for a while but soon became boring, especially as most of my friends were still active.

I did some consulting for a while. This was good financially but not particularly fulfilling. The head chefs were maybe a little scared while the younger chefs enthusiastic to learn new techniques and new dishes. You spend two weeks consulting, you show the chef the correct way to go about things, you check another two weeks later but find they are doing everything the same as before I arrived. This is why it was not so fulfilling. It’s easy to understand that it is hard to ask a head chef to change.

I was approached to do the Selfridges Restaurant on The Roof for a week as part of the London Restaurant Festival. I thought about it for 15 seconds and said yes! I was lucky in that some former chefs or friends were free – Eric Chavot and Bruno Loubet for example.

It was a fantastic experience but very very hard, there were only 3 days of mise en place and 240 covers day in day out. A week went to two weeks, then they ask for a month, then two months and then we had to stop. When you ask a chef if they can help you, it is possible for a day, maybe a week, hard for two and impossible for a month. So with a few exceptions the kitchen was turning over staff and new people were trained up constantly. Very hard.

During the time at ‘The Roof’ we deboned 3,200 pig’s trotter! They used to come in boxes of 500 at a time. We used to cook every day 80 trotters. I lost 12Kg in weight over the two months working 7 days a week, so it kept me fit (laughing).

After Restaurant on the Roof ended, I had some fantastic offers from wealthy people who had maybe been customers from the old La Tante Claire who said they would back me to open my own restaurant but at my age that wasn’t the right move forward. The deal here was the best one for me – I look after the kitchen and they look after everything else. So no paperwork for a start! (Smiling). I hope this works well for the next three to five years.

What would you say makes a strong kitchen?

A strong, motivated chef, who loves food, loves cooking and respects the customer. Then it has to be a strong, structured brigade where all are clear on what is expected of them and what they must achieve. As it is the customer who must leave satisfied then team work between kitchen and front-of-house is important. This is what I liked so much about Le Gavroche back in the 1970s.

What is your cooking Philosophy?

You have to enjoy what you are cooking – you have to love to eat the food you cook. Should you cook what you enjoy you will cook it well. My grandmother lived on a farm and she was a very good cook – when a hare was shot she would prepare it with red wine, with three heads of garlic and twelve onions.

Somewhere between my tongue and my brain is my grandmother’s ability to taste. Sometimes I put this dish on at this restaurant and it’s a great pleasure preparing that dish.

You must also develop your taste memory. Sometimes you may be sitting down relaxing and you start to think about cooking. New creations come about by understanding in your mind what combinations of ingredients will work well together. This comes with experience.

Do you enjoy the success of your former chefs?

Oh yes very much. The ones that put themselves into their cooking, who work hard, have drive, passion and ability will be successful chefs. There are always those who come purely to enhance their CV and learn your recipes. Those I don’t dislike but maybe I have a weaker long term relationship.

I am in touch with a number of my former chef’s – for example Tom Kitchin, Tom Aikens, Raphael Duntoye (currently of La Petite Maison) and so on and I am always delighted when any of them do well.

Have you been pleasantly surprised by your reception in coming back to the stove?

Very much so. When I was asked about The Restaurant on the Roof one of my first thoughts was ‘but all my customers are now dead’ (laughing) but I was so pleasantly surprised to find younger people coming to the restaurant and that has continued on at The Berkeley.

I have found coming back to the kitchen invigorating as well as helping me keep a youthful mentality. The oldest chef is 33 years old and most are 18 to 25. I was working long days for 7 days a week until we recruited a full time head chef. If you love what you are doing you don’t look at the clock but I know some of the youngsters have been impressed with my energy levels.

What is your proudest professional achievement?

Well opening my own restaurant in La Tante Claire was something that any chef as a young boy growing up in France hopes to do some day.

I very much enjoy reflecting in the achievements of former chefs. Tom Kitchin in Edinburgh, won best restaurant in the Observer Food Monthly Awards last night and I am absolutely delighted for his success. We speak often and I feel like a father figure to him, which makes me very proud. Raphael (Duntoye) too, he turned up at my kitchen one day and asked if he could learn to cook. He was an engineer but had the true passion, enthusiasm and intelligence to become a brilliant chef – he stayed for five years and I really like his food at La Petite Maison in Mayfair.

 

And so it was time to leave, Pierre had been utterly charming, with a glint in the eye and a natural warmth. No doubt Koffmann’s will be a success and provide Pierre with the ideal outlet for his extraordinary creativity, vigour and hospitality.

Roux Parliament Square, Restaurant Review, October 2010

Posted on: October 10th, 2010 by Simon Carter & Daniel Darwood

The opening of Roux at Parliament Square has finally given Westminster – for so long a gastronomic wasteland – a restaurant of which it can be proud. Located in Great George Street opposite the Treasury, it is housed in a Grade II listed building, home of the Royal Institution of Chartered Surveyors

MPs, ministers and mandarins, many of whom have grown up on public school stodge, can now enjoy the delights of fine dining on their doorstep. Not that the general public are excluded, but they must prepare for the formality, luxury, tradition and quality that are the hallmarks of the Roux brand.

Entering under a Doric columned portico, through plate glass doors, one can defer entry into the restaurant by ascending the elegant staircase to the spacious bar which occupies most of the first floor.

The décor and furnishings, whilst not cutting edge designer chic- and more the better for it – are in perfect harmony with high ceilinged, sash windowed Georgian building. In the bar, Aubergine is the dominant colour of the floral motif carpet, chairs, and tasseled lampshades.

All this gives a certain gravitas, reminiscent of a gentleman’s club, but without the stuffiness. Downstairs, in the two dining rooms, the same aubergine and beige colours predominate, with the floral motif of the grey carpet repeated on the white painted wall. Again, banquettes offer luxurious alternative seating. Tables are well spaced and lit with spotlights – a concession to modern design.

Head Chef Toby Stuart’s cooking, whilst based on the classical techniques, adopts a contemporary interpretation and presentation; the aim is definitely not to emulate the gandeur of Le Gavroche cuisine. Nevertheless, retrained sophistication is much in evidence. Smears, foams, purees and jellies appear on artistically arranged plates, but never to excess, and are always intended to enhance the main component. Flavour combinations of seemingly incompatible ingredients such as apple and tarragon or black beans and lemon, actually work. The sourcing of top quality seasonal ingredients – often British – is impeccable. These are deftly employed in the carte of six each of starters, mains and desserts which amply display a wide range of high level skills.

On the day of Fine-Dining-Guide’s visit, a glass of Albert Roux rose champagne and well made canapés of salmon rillettes and crispy ham hock croquettes were enjoyed in the bar before descending to the dining room for a three course lunch from the Carte.

To start, a pumpkin veloute lacked the intensity and depth of flavour diners have come to expect from this near ubiquitous amuse bouche. This was the only blemish in an otherwise excellent meal

A generous tranche of seared foie gras had all the rich, melting qualities of this delectable piece of offal. Topped with a anise crumble which added texture and spice, it was garnished with Brogdale apple and tarragon leaves which gave a balancing acidity and enhanced anise element.

(Wine: Muscat de Rivesaltes, JM Lafage, Languedoc-Roussillon, 2007)

An alternative starter comprised a trio of plump langoustines, perfectly poached in butter to retain their sweet succulence. With summer truffle, sweet corn and lamb lettuce accompaniments, this combination came shrouded in an ethereal seafood foam which lifted the whole dish

(Wine: Pernand Vergelesses, Domaine Remi Rollin, Burgundy, 2007)

Another starter, presented as an intermediate course, proved to be a star dish. How pleasing to see cod cheeks, often used on the continent but neglected here, cooked in a cassoulet with chorizo, black beans, lemon and parsley. The chorizo did not overwhelm the fish, but added a spiced richness, showing real skill in balancing flavours.

(Wine: Albert Roux Blanc de Blancs (Lenoble) N/V)

For the main course, Squab pigeon came in two forms: roasted breast and a croquette of shredded confit leg. The Middle Eastern influence was shown in the carefully judged Ras el Hanout spicing and Medjool dates which enriched the dish. Muscade de Provence squash added colour and, whilst oven dried cauliflower discs gave texture and a muted flavour.

(Wine: St Joseph, Andre Perret, Northern Rhone, 2007)

The other main course sampled was a Rose Veal fillet, cooked pink with its caramelized sweetbread – crisp on the outside, creamy within. This was a master class is sensitive handling of top quality ingredients to maximize their flavour. The same is also true of the cooking of an attractive bouquet of summer vegetables which retained their crisp textures and inherent sweetness. Whilst the pomme mousseline was so gently smoked as to be hardly noticeable, this did not detract from the overall success of this luxurious dish.

(Wine: Chateaux La Crois des Moines, Lalande de Pomerol Bordeaux, 2006.)

For dessert, White Peach souffle was well risen and perfectly textured. It exhibited a depth of flavour one might not have thought possible from this bland, delicately scented fruit. With the addition of amaretti, lemon verbena and prosecco ice cream, this proved a rich but light finale to a memorable meal.

(Wine: Muscat de Rivesaltes, JM Lafage, Languedoc- Roussillon, 2007)

Other aspects of the meal such as good bread, coffee and petits fours, showed the same care in preparation and presentation. The assistant sommelier carefully matched a selection of wines to match our separate choices of starters and mains. The wine list itself is international, but strong on Bordeaux and Burgundy, as one might expect. Overseeing the front of house with friendly charm was Restaurant Manager Johan Brouckaert, ex food and beverage manager at Cliveden. In the great Roux tradition, service was professionally formal but conducted with seemingly effortless ease. In reality, however, it is the result of scrupulous attention to detail and strong leadership.

Roux at Parliament Square is not a restaurant for those looking for a lively night out – although people of all ages would appreciate the food. The elements of refinement and formality – although the dress code is not as strict as Le Gavroche – combined with a more conservative décor might not appeal to all age groups. Rather its attraction to a political, professional and media clientele – even in an age of austerity – along with discerning foodies, is unquestionable. The whole operation exudes class, with food certainly of Michelin star standard. We await future publications as confirmation of this verdict.

The Bombay Brasserie, Restaurant Review, October 2010

Posted on: October 10th, 2010 by Simon Carter & Daniel Darwood

Fine Dining Guide had the honour and privilege to be invited to a special Chilli Gourmet Dinner on 6 October 2010, at the Bombay Brasserie.

This iconic restaurant, as far removed, figuratively speaking, from the local Indian eatery as London is from Mumbai, has continued to attract a host of famous diners, from business magnates to“A” list film celebrities.

Grand Master Chef Hemant Oberoi

After major refurbishment in 2009, the restaurant is larger, brighter and more airy, emulating the luxury of the historic grand palaces within the Taj group. A showpiece kitchen with counter seating in the marbled floored conservatory, a restyled bar and a private dining room, with its own small lounge are new features. Whilst the glass roof, plush carpets and tropical plants remain, gone are the cane furnishings, so reminiscent of the Raj.

Overall, a more sophisticated, sumptuous look is evident, with a variety of seating areas, both relaxed and formal.

The special Chilli menu was created by Grand Master Chef Hemant Oberoi, Executive Chef of Taj group, the flagship of which is the celebrated Taj Mahal Palace and Tower Mumbai.

A legend in the world of Indian cookery, Chef Oberoi has hosted banquets for royalty, heads of state and Hollywood stars, pioneering his trend of alternative Indian cuisine, blending tradition and authenticity – including neglected recipes from old rural communities and families – with modern methods of cooking. Overseeing luxurious establishments from Boston to Bhutan, Cape Town to Sydney, Chef Oberoi has left his indelible mark on the Taj brand, making his food a magnet for discerning foodies.

What was so impressive of the Chilli menu was the subtlety and hidden depth of the variety of mild and strong chillies used, reflecting the range of different regional Indian cuisines. The way in which chillies can complement rather than overwhelm other flavours was revealing.

A starter of seared scallops marinated in hot yellow chilli powder retained its succulence and sweetness. A Goan Reshad dish of fried chillies with halibut and spicy prawns lifted the clean flavours of the seafood. A lentil broth with pink peppercorns had an earthy spiciness that was delicious and comforting. Next came the mild, fruit-like flavour of fresh green chillies in a lamb dish of Roti Pe Hare Mirsh Ki Boti. In contrast, highly pungent Guntur chillies from Andhra Pradesh were used in a dish of crispy chicken strips

Before the main courses, a tongue tingling sorbet of sweet jaggery and chilli was served in spectacular fashion of bowl puffing with clouds of liquid nitrogen.

A trio of main courses followed:-

Lal Mirch Ka Gosht, in which lamb was cooked deghi mirch flavoured sauce, was rich but mild. Murg Khatta Pyaz was a superior chicken tikka, spiked with vinegar shallots, giving it a welcome intense sharpness. Achari Chicken Biryani saw basmati rice generously served with chicken with stuffed red chilli.

All the accompaniments of peri-peri olive naan, parathas, cucumber and mint raita were first rate, as were the trio of desserts Narangi, Malpua, Kala Jamun Brulee, Chenna Payesh.

Sample Photographs:-

Overall, this dinner was an brilliant advertisement for the extraordinary versatility of the different varieties of chilli and the creative genius of Chef Oberoi in using this ingredient in such inspirational ways. Lovers of serious Indian food will delight in the forthcoming Chilli season early next year.

The full menu is printed below:

Amuse Bouche

Peele Mirch Ka Scallop

(Griddled curry leaf, yellow chilli powder marinated scallops)

Fish Reshad on spice prawns

(Goan style pan fried goan chillies flavoured halibut on a bed of spicy prawns)

Pink Pepper Rasam

(Lentil broth infused with pink peppercorns)

Roti Pe Hare Mirch Ki Boti

(Tender morsels of lamb with fresh green chillies)

Tossed Andhra Chicken

(Crispy chicken strips with Guntur chillies)

Jaggery and Chilli Sorbet

(Fresh red chillies and jaggery sorbet)

Lal Mirch Ka Gosht

(Lamb cooked in a deghi mirch flavoured gravy) Mild,

Murg Khatta Pyaz

(Chicken tikka with vinegar shallots)

Achari Chicken Biryani

(Traditional rice dish – chicken with stuffed red chilli and basmati rice)

Mirchi Ka Salan

(Cucumber and Mint raita)

Naan, Paratha, Peri peri olive naan

Dessert: a trio of

Narangi, Malpua, Kala Jamun Brulee, Chenna Payesh

The meal can also be seen as a prelude to the series of major special events in the next few months. These will be overseen by the restaurant’s Executive Chef Prahlad Hegde, who holds a lifetime achievement award from the Good Curry Guide

The Chilli Celebration Dinner season from 17th to 30th January 2011 will enable diners to choose from a chilli a la carte menu from approximately £45.

A Regional Taste Tour of Chillies Masterclass, is scheduled for 21 January 2011. (Each masterclass, from £45 per head, will be held in the conservatory open kitchen with champagne, food tastings and a Tiffin lunch featuring Bori, Parsi, Maharashtrian and Goan dishes.)

Other masterclasses are:-

Flavours of Diwali on Friday, 5 November 2010,

Taste of the Royal Palaces of India, Friday 18 March, 2011

Bath Priory Restaurant Review, October 2010

Posted on: October 10th, 2010 by Simon Carter & Daniel Darwood

Sam Moody Chef

Sam Moody (aobve) has been head chef for over a year, having worked under Steve Crane, his predecessor. With four and a half years’ experience at Gidleigh Park under Michael Caines, the two Michelin starred chef who is also Executive Head Chef at Bath Priory, Sam‘s talent and skills will be deployed to good effect.

His time at Gidleigh Park taught Sam the importance of clarity of taste and balance of flavour. A chef, he claims, should be organized, disciplined and needs to create a stable team in the kitchen. But he must also know his limitations. Sam’s a la carte menu of five each of starters, mains and desserts is a wide enough to ensure consistent quality and demonstrate his range, without overstretching his abilities. He also offers two tasting menus. With seasonally changing dishes, he benefits from the excellent organic produce of the West Country.

Although a protégé of Michael Caines, Sam is by no means in his shadow; they collaborate over dishes and enjoy the cross fertilization of ideas.

Guests have an embarrassment of choice between the carte, and two tasting menus The Classic tasting menu, chosen on the night of my visit, fully demonstrated Sam’s high level skills and creativity. Also impressive was the way in which the Head Sommelier quickly but in a highly informed way, chose a flight of matching wines. This showed expert mastery of his craft.

Brixham Scallop gently caramelized and retaining its succulence – came with a bacon veloute. This amuse bouche could be seen as a playful interpretation of the classic dish of English scallops with bacon.

(Wine: Verdelflo, Herdade Do Esporao –Allgntej, Portugal, 2008)

Foie gras terrine was a superior version of this often badly prepared dish. Properly marinated and seasoned, the result was rich, intense and melting, doing full justice to this expensive ingredient. Madeira jelly gave a subtle sweetness, whilst green bean and truffle salad added crunch and a heady, but not overpowering, earthy fragrance

(Wine: Pinot Gris, Calcarie-Zind – Hombrech, Alsace, France, 2007)

A fillet of Sea bass was well timed to preserve maximum flavour. The pak choi added crispness, whilst the parsnip and ginger puree garnish and chicken and vanilla jus gave a sweet and savoury note without being overpowering.

(Wine: Riesling Kabinet Piesporter. Goldtropfchen, Vereinigte Hospitien, Mosel, Germany 2006)

The Hinton estate beef main course was a tour de force of precise cooking, harmony of tastes and balance of textures. The medium rare fillet was garnished with a tangy mustard remoulade, wafer thin Pommes Anna crisp –welcome, but rarely seen nowadays – wilted (but not watery!) spinach, and sweet glazed shallots. The classic red wine reduction and a generous portion of earthy wild mushroom ragout brought the dish together, helping to make it extra special.

(Wine: Sassicaia Tenuta San Guido, Tuscany, Italy, 2002)

The selection from the impressive board of French and English cheeses supplied by Paxton and Whitfield and Premier Cheeses, came in perfect condition and temperature. Little Wallop from Somerset and Sherham Rustic from Devon reflected the excellent use the kitchen makes of prime quality local ingredients. This was the first time I had encountered advice on what bread – three different slices were provided – to eat with which cheese. For instance the balance of sweet fig bread with salty Forme d’Ambert worked well.

(Wine: Port LBV Quinta Do Portal, 2003)

An exotic fruit salad of crystalline pineapple and passion fruit sorbet provided the ideal pre dessert palate cleanser.

Finally, chocolate desserts always provide the acid test for the pastry section, and here it passed with flying colours. The Chocolate orange confit mousse and chocolate ice cream were properly rich and indulgent, their richness offset by a gently sharp orange sorbet.

(Wine: Ice cuvee, Peller Estate, Niagara, Canada.)

Good coffee and petit fours, taken in the drawing room, completed a superb meal prepared by an excellent chef.

Other aspects were also first rate. In the restaurant itself, large round tables with linen drapery are well spaced, the room the long, spacious room being lit with wall lamps and spotlighting. The efficient, friendly and well timed service, was overseen by the charming manager, Akim Korner.

 Sam Moody is clearly a chef in full control of his kitchen, producing an excellent classical repertoire. A trip is essential to sample other features from the carte and the chef’s tasting menu. Sam’s cooking is clearly of Michelin Star quality, and there can be little doubt that he will soon emulate his mentor in being recognized at this level.

Chef Interview: Joel Antunes (July 2010)

Posted on: October 10th, 2010 by Simon Carter & Daniel Darwood

Joel Antunes

After investing ten years in forging a career in the United States, Joël Antunes has ‘come home’ to the city where he forged his reputation: the early to mid 1990s saw Les Saveurs restaurant in London gain widespread recognition, including a Michelin Star. Now Joël Antunes wishes to focus his culinary skills on the capital once again, Brasserie Joël is the exciting result.

Joël found time to speak to Simon Carter of fine-dining-guide about his motivations in the industry and plans for the future, interview took place in the kitchens of Brasserie Joël during July.

Tell us some background about yourself?

I started to cook when I was 15 years old and over the following ten years had the good fortune to work in five different Michelin Three Star kitchens which incorporated time in the kitchens at each of Marc Meneau, Jacques Maximin, Pierre Gagnaire, Paul Bocuse and Troisgros. I then had the pleasure of working for a world-renowned pastry chef: To me this is very important as learning pastry is a discipline in itself and very different from cooking savoury courses. To be an accomplished head chef having all round experience is important.

After this I went to Bangkok and was chef at the Oriental Hotel, then a spell at Raffles in Singapore as well as some opening work for the Oriental Group in various destinations around Asia.

In 1991, I came to England and opened Les Saveurs, which was a great success, including gaining and retaining a Michelin Star for several years. After the passing away of my business partner in 1996, I was 32 years old and simply didn’t have the capital to take sole ownership of the restaurant. In the mean time – some three years before – I met my wife in London, an American, so it was a natural opportunity to travel to The US and make a career in that country.

I started at the Ritz Carlton which did very well in Zagat. In 2000 I opened my own restaurant – Joël – on a ten year lease in Atlanta. The restaurant was very successful up until around November 2007. The credit crunch hit hard – not just for me but for many chefs across the United States. Over the last few years I had been looking for an opportunity to come back to Europe and the only place I would come to is the UK, London in particular, as that is where I had built my reputation.

How did the opportunity arise at Westminster Bridge Park Plaza?

I happen to know the son of the owner. We sat down and talked and Brasserie Joël was the result. I am not an Executive Chef for the Hotel, I could not do that – banqueting, room service and so on – I need to be on top of my suppliers and developing dishes in a restaurant kitchen environment! At the moment I’m delighted that the restaurant kitchen is at Brasserie Joël at The Westminster Bridge Park Plaza.

What is the size of your brigade?

We currently have seven or eight chefs but when you are a seven day a week dinner operation and are turning over 100 plus (last night was over 125) covers you realistically need at least twice that number. In fact, fifteen chefs would just be a starting point.

How would you describe your gastronomy?

I would say that there is tide change in the industry, which is in direct response to the change in tastes and budgets of the customer. What may have been thought of as Michelin style cooking is now perhaps a little over elaborate, labour intensive and expensive. Yes, the quality of the ingredients must still be high but more simple, rustic and classically prepared dishes of the bistrot or brasserie style are becoming fashionable. You see many leading Michelin chefs now going in this direction. In these economic times, the restaurant can remain busy while serving a mixture of this style of food along side dishes that display a gastronomic twist.

We also have more flexibility in this way to make specials that keep as many people as possible happy and fill the restaurant every day.

How did you source your suppliers?

Mainly by networking around some good friends in the industry to ask their opinions of the best suppliers. That has worked very well.

How does the F&B Accounting work – the Restaurant compared to the Hotel?

The restaurant is set up to run with its own F&B. The hotel group like to see the hotel and the restaurant both working successfully independently of each other. I believe this is fairly typical. Where the hotel wishes to upgrade the standard of the restaurants, it’s important that the restaurant is seen to stand on its own two feet. When we are doing 150 to 250 covers a day, I’m sure that the restaurant will be considered a great success by the hotel group.

What are your plans for future?

I would like to think that, in the long term, I will stay with the company and develop this restaurant. The signs are good in that we are busy. The people here are very good to me and it is important to be honest about wanting to make good food and be a success at the same time.

Another possibility, is that in the long run I would like to have my own restaurant in London. It is my career home and having run my own restaurant for fifteen years there is no feeling like putting the key in the door in the morning and knowing that it is yours. You know, head chefs who put themselves on the line every day, 14 hours a day, to have that rewarding feeling of owning at least a part of what you do is important.